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Stories that cross time.

Historical and speculative fiction, in Spanish and English. Two voices, one origin.

Home of Fences of the Light, winner of the 2023 Next Generation Indie Book Awards

Laura Voglino

Historical fiction
UNQUY

UNQUY

An ancestral gift. A revolution. The weight of love.
1811, the Andean north. Inés, a healer from Tilcara, inherited a gift that lets her glimpse what others hide. Saving a hunted man, she joins the network of women who sustained the war of independence from the shadows.
In Spanish
Librerías por país

Los enlaces de Buscalibre y Mercado Libre llevan directo al libro; en las demás librerías, buscá «UNQUY».

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LIDIA
Laura Voglino

LIDIA Coming soon

An Entre Ríos family saga.
The story of a woman and a century, told through the intimacy of a family from the Argentine littoral. In Spanish and English.

What readers are saying

On UNQUY

J. D. Cortese

Science fiction

Currently available in English. Spanish editions are in the works.

Fences of the Light

Fences of the Light

A novel about time.
Lucien Strand inherits a centuries-old house in Buenos Aires and, with it, visions of impossible storms and time shifts. His search leads him to a forgotten beach on the Argentine coast, and to the secrets the dictatorships left behind.
★ 2023 Next Generation Indie Book Awards
Winner · Best Overall Design (Fiction)  ·  Finalist · Science Fiction
★ 3.9 · read reviews on Amazon
The Sound of a Broken Chain

The Sound of a Broken Chain

A Don Quixote for our century.
Buenos Aires, the 1978 World Cup. Two teenagers from different cultures confront a dictatorship and a message from the future that could break the chains of time.
★ 4.4 · read reviews on Amazon
Amazon Spanish edition · coming soon
The Watchtowers

The Watchtowers: EarthWatch

They are watching us, but we can't see them.
New York, 2056. Time travelers watch our downfall from invisible sky cities. Agdinar, one of the Watchers, breaks the rules to save two girls from the world below.
★ 4.4 · read reviews on Amazon

Praise from fellow authors

On J. D. Cortese's novels

The authors

Opportuna Libri
Laura Voglino

Laura Voglino

Laura Voglino was born and raised in Argentina. A scientist by training, she published in international scientific journals. After earning an MBA in the United States, she moved into the business world, where she led global teams from North Carolina, New York, and Shanghai.

The daughter of a history teacher, she was always drawn to where we come from: our roots, what we inherit, what marks us. The history of Argentina is part of her, not as a sum of facts but as something passed down by the people who lived it. Philosophy and the question of origins shape the way she writes. Her novels come from there. She lives with her family in North Carolina.

J. D. Cortese

J. D. Cortese

Jorge D. Cortese is a scientist, educator, and writer, driven by the same question in the lab and on the page: what lies beyond what we see. He has written for The Scientist and served as editor for educational magazines and publishing houses.

Winner of awards for both science and teaching, he also received the annual award of the Writers’ Workshop of Asheville for literary fiction. His novels cross time, Argentine history, and science fiction. A voracious reader, he lives in Durham, North Carolina, with photography and table tennis as his other passions.

In motion

Videos

Fragments of UNQUY in image and sound. Tap to watch.

The story of UNQUY

Readers are part of UNQUY

Before UNQUY existed as a book, it existed as a question thrown to a group of readers: “I’m looking for readers who want to read it before anyone else.”

I didn’t know what to expect. I offered the book as a gift, with no conditions: whoever wanted to read it would have it. What came next I couldn’t have imagined in my wildest dreams.

Hundreds of people answered. From Argentina, Mexico, Costa Rica, Nicaragua, Australia. More than three hundred requests, eighteen countries. People who didn’t know me and yet wanted to accompany an author just starting out.

Many read the book before anyone else and wrote to me about what happened to them with Inés, with the Quebrada, with the silence. They corrected details, shared memories, argued about endings. A reader from the north recognized the terseness of the people of San Antonio de los Cobres. Another, a former arriera, corrected a detail about the llamas. Their voices are in the book being published today.

So when I say readers are part of UNQUY, it’s not a figure of speech. It’s literal. This novel didn’t reach the world alone: it arrived accompanied, held up by a community that waited for it, read it, and made it better.

To all of them: thank you. We keep meeting among books.

Laura Voglino

Conversations

With our readers

Every so often we open a question to our reading community. This is what emerges when hundreds of people think out loud about books.

The question

What makes us abandon a novel?

“Me first, so I don’t ask what I don’t give: I started and abandoned Steppenwolf about five times. Five. Until one day I finished it, and I don’t even know what changed: the book, me, or the moment. Since then I distrust my own desertions.”

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What readers said

First, timing

The same book can bore us at one stage of life and fascinate us years later. The book didn’t change: we did. Fernando put it well: what’s written is there, it doesn’t change; we’re the ones who change. And Paulo turned the question around: sometimes it’s the book that chooses you.

Then, the book itself

Stories that don’t move. Plots that circle. Too much description. Characters you can’t bond with. When curiosity about what comes next disappears, many stop reading.

Reading takes energy

Fatigue, sadness, lack of focus. There are times we simply don’t have the head for the book we chose. And practical reasons: awkward editions, translations that don’t work, the microscopic type of certain paperbacks.

No one is alone

One Hundred Years of Solitude, Hopscotch, Ulysses, Les Misérables, 1984. The great abandoned ones all sat half-read on a nightstand once. And almost never by a solemn decision: the book stays on the table one night, and life moves on.

The takeaway

As a writer, I take away something I like: my job is to write the best book I can. Then I have to accept what I no longer control: the meeting between that book and each reader. And maybe an abandoned novel isn’t always a lost one. Sometimes it simply arrived too early.

Laura Voglino

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